Monday, November 20, 2023

Softer Love, Subtle Tone





Graying skies with yellow-browned leaves, many down, allow the softer love of shadows, subtle tonalities, layers above common horizons, slowing, looking long, erasing space and time. 



“There is an unbearable and unstoppable energy at the heart of the cosmos that is relentless, despite billions of years of cosmic life. This yearning for wholeness is integral to the unfinished process of evolution because it is an ultimate wholeness that exceeds the human grasp. God is the unbearable wholeness of being, the unrelenting dynamism of love, pushing through the limits of matter to become God at the heart of this evolutionary universe. Divine love evolves the universe as it leans into an unknown future.” Ilia Delio, The Unbearable Wholeness of Being, p. 202. 



Wednesday, November 15, 2023

God/Love: Known Mystery


God has always held as Mystery while Love’s masquerade as sure, known, embraced slips away. Yet change often trues and now the two more converge. Perhaps an evolving consciousness signals as the most reliable marker on the pathway. Reassurance to continue on comes with the edge of knowing and not through the devil-curse of dead-certainty. 

“Evolution is not only the universe coming to be but it is God who is coming to be insofar as God arises with the development of consciousness.” [fn p. 72, Delio, Unbearable Wholeness]

   My current support and guide for this trapeze-trail comes from Ilia Delio’s The Unbearable Wholeness of Being: God, Evolution and the Power of Love. The text distills, interprets, and blends Teilhard de Chardin, Raimon Panikkar, Moltman along with Tillich and  others in exploring this inexplicable wonder. For example:

“God loves the world with the very same love which God is. God is not divine substance governing creation but the radical subject of everything that exists, the depth and wholeness of nature itself that reveals itself in its hiddenness. God’s love fills up each being as ‘this’ (and not ‘that’), but the limits of any being cannot contain God; thus, the excess of God’s love spills over as ‘transcendence,’ more than any being can grasp. Transcendence is the fecundity of love and the ‘yearning’ dimension of everything that exists.” [p. 71]

   While quantum physics quakes the foundations of space/time craved by fundamentalism, the shaky feeling found in venturing into sacred ground, like the sense of “participation mystique,” may be eased. The invitation is to know love that knows and loves beyond the hard boundaries of physical touch and sight.

“The divine mystery is the ultimate AM of everything. God is not the ontologically distinct Being who empowers created beings but the very dimension of created being by which being transcends itself toward greater relationality, wholeness, and depth… God is the unlimited depth of love of all that is, a love that overflows into new life.” (pp. 66-67)




 

Saturday, November 11, 2023

A Stream of Transformation


For days now, even weeks, falling leaves swirl about, and they’re overlaying memories of watching the beautiful maple and oak trees in autumns past. While the leaves were beautiful, my feelings were not so pleasant, bittersweet, at best. So I’ve been anticipating that poignancy…yet it’s not rising up. This season stirs differently; instead of tinged with sadness, the flow seems to move into a stream of transformation. More like feeling into the unknown…not necessarily unpleasant. Leaves lightly dance—as if death is not to dread, as if the mystery beyond has not ending at heart, but a penetrating continuity.


   Perhaps the different view owes partly to recent readings: Towards Mystical Union by Julienne McLean, Spiritual Pilgrims by John Welch, and Androgyny by June Singer. Important material has been drawn especially from The Interior Castle of Saint Teresa of Avila, also from the work of C.G. Jung, particularly his “Stages of Life” (from CW8, pp. 387-403). Old age allows a changing experience with falling leaves, but it doesn’t force it. 


          What do we make of dying and the possibility of what follows? Jung advises us “to discover in death a goal towards which one can strive, and that shrinking away from it is something unhealthy and abnormal which robs the second half of life of its purpose. . . it would therefore be desirable to think of death as only a transition, as part of a life process whose extent and duration are beyond our knowledge” [p. 402; para 792].



   Some friend posted a helpful excerpt from John O’Donohue:

"The dead are not distant or absent. They are alongside us. When we lose someone to death, we lose their physical image and presence, they slip out of visible form into invisible presence. This alteration of form is the reason we cannot see the dead. But because we cannot see them does not mean that they are not there. Transfigured into eternal form, the dead cannot reverse the journey and even for one second re-enter their old form to linger with us a while. Though they cannot reappear, they continue to be near us and part of the healing of grief is the refinement of our hearts whereby we come to sense their loving nearness. When we ourselves enter the eternal world and come to see our lives on earth in full view, we may be surprised at the immense assistance and support with which our departed loved ones have accompanied every moment of our lives. In their new, transfigured presence their compassion, understanding and love take on a divine depth, enabling them to become secret angels guiding and sheltering the unfolding of our destiny.” [from Beauty: The Invisible Embrace] 

 


   Another posting came from the work of Anaïs Nin :

I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.”  (The Diary of Anaïs Nin, Vol. 5: 1947-1955)

 


   Love is, of course, the Way. While it may be an “ever-fixed mark,” love also offers ever deepening. My feeling for these trees, and the presence as well as absence of their leaves. Their presence through the seasons of life deepens. The gift of photography, like Anaïs Nin’s art, follows their falling, like O’Donohue’s love taking on a divine depth, and guides us on beyond our knowledge.